Amberlynn Browning and Her Band, Amberlynn and the Texas Highwaymen, Are Keeping Honky-Tonk Alive Born and raised in Texas, Amberlynn Browning’s music is steeped in history, family, and a deep respect for the country greats who came before her. With her third studio album, Honky Tonky Fever, set to release this spring, Browning is stepping confidently into a new chapter of her career while staying firmly rooted in the traditional sound that defines her artistry.

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With six generations of Texas history behind her, Texas isn’t just a place for Browning — it’s part of her identity. That deep connection to land, heritage, and tradition is unmistakable in her music.

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Honky Tonky Fever, her upcoming third studio album, blends original songwriting with a few classic Texas country staples. Browning describes her sound as “keeping that 1970s raw country alive — traditional, way-down-deep, soul-type country.” She recently released two singles from the album, including “Texas When I Die,” a duet with Georgette Jones, daughter of country legends George Jones and Tammy Wynette. The song has already charted in 28 markets and gained significant traction, marking a major milestone in Browning’s career.

Another standout release, “Murder on Music Row,” originally sung by George Strait and Alan Jackson, debuted at number four on country radio — an impressive achievement that further cements Browning’s place in today’s traditional country revival. The song was even commended in a video by George Strait’s legendary songwriter, Larry Cordle.

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Additionally, one of her tracks, “What Makes a Cowboy,” has earned a nomination with the Josie Music Awards, adding even more momentum as the album release approaches.

Browning’s journey to this point is steeped in legendary influence. Her debut album was produced by Gene Breeden, known for working with icons such as Waylon Jennings, George Jones, and Buck Owens. Her second album, which was submitted for Grammy consideration, was recorded at the historic Sun Studio in Memphis. That album was produced by John Heinrich and recorded alongside renowned musicians, including Jerry Lee Lewis’s drummer and Tim Watson on fiddle, who previously played for Tammy Wynette and Kid Rock.

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Waylon Jennings remains one of Browning’s most profound influences, both musically and personally. Jennings’ pedal steel player, Robby Turner, became a mentor and close friend to Browning and her pedal steel player. Turner was slated to produce the remainder of Honky Tonky Fever before his recent passing from leukemia. Following his death, the remaining members of Waylon Jennings’ band stepped in to finish producing the album — an incredible honor for Browning and her band. She notes that throughout her career, she has had the opportunity to work with some of the greats in Nashville.

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“Waylon Jennings and his band are very important to me,” Browning says. “We’re friends with his family, and the role they’ve played in my journey as a musician is something I’ll always be grateful for.” That connection was further affirmed when Jessi Colter, Waylon Jennings’ wife and often referred to as the “First Lady of Outlaw Country,” commended Browning’s album. Browning said she was deeply honored by Colter’s praise, particularly her commendation of Browning’s songwriting, stating that “Browning’s music is exceptional, particularly her songwriting.”

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Musically, Browning is as hands-on as it gets. She plays lead guitar — both electric and acoustic — along with piano, harmonica, and vocals. She received her first guitar at age 13. Songwriting, however, remains her greatest passion. “My heart lives in performing and creating music, but I know that songwriting is at the core of it all, and it comes very naturally to me,” she says.

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